TTh 3:30-4:45
Dr. Peter Staudenmaier
This upper-level Readings in History course explores the development of Western racial thought and practice from the Enlightenment era to the age of the genome. Though presumed to represent a permanent biological reality, racial ideas are remarkably mutable and have shifted continually over the past three centuries. Examining the changing ways people have thought about race, past and present, particularly in European and North American societies, we will trace the impact of racial beliefs in economic, political, and judicial contexts. Through critical appraisal of the works of writers, philosophers, scientists, government officials, and cultural figures, we will consider how various peoples were sorted into racial groups, what social meanings such racial differences carried, and why these questions continue to cause controversy today.
The subject of this course is the history of Britain over the long 18th century, from the Glorious Revolution to the French Revolution, through the lens of art. We will explore the many ways in which power was exercised: high politics and street politics, war and revolution, science and industry, trade and empire, class and gender relations, and race and slavery. Focusing on cultural politics, students will study power as a force for shaping art—and art as a force for exercising power. While concentrating on high-style oil paintings, the course will consider a wide range of visual and material culture, including raunchy cartoons, architecture, landscape design, and household ceramics, while addressing key artists, art movements, and iconic works. Students will learn through lecture, discussion, field research with museum collections, and above all, object analysis as a means of cultivating “visual intelligence.” This course serves as a Public History Minor elective and MCC credit in the Humanities Area of the Discovery Tier, under the theme of “Cognition, Memory, and Intelligence.”